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My name is David Southwick. I have been playing guitar since 1979. In 1984 I began applying chord theory to the piano/keyboard. I offer guitar and piano lessons in the Titusville, PA, 16354 area. Click to Read More...
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Chord Families

Of more relevance to the guitar player are Chord Families, or the groupings of chords that go with the keys. Looking again at the C major scale, with the numbered notes we have:

1 2 3 4 5 6 7 8
C D E F G A B C

Each note can represent a specific chord in the key of C. For instance, the first note ‘C’ represents the first chord C (major). The fourth note ‘F’ represents the fourth chord F (major). Some of the numbered notes represent major chords, some minor, but the seventh represents a ‘diminished’ chord. Look at this chart of Chords for the Key of C:

I ii iii IV V vi vii(dim)
C Dm Em F G Am B(dim)
major minor minor major major minor diminished

Notice that for chords, we typically switch our numbers to Roman Numerals: uppercase for major chords, lower case for minor chords. So we see that the major chords in the key of C are chords (I, IV and V): C, F, and G. The minor chords (ii, iii, and vi) are: Dm, Em, and Am. From this point on I will omit the seventh chord, the diminished chord. I call this the C Chord Family.

For the key of G (and any other key) we can apply the same approach to find our major and minor chords:

I ii iii IV V vi
G Am Bm C D Em
major minor minor major major minor

Thus the G Chord Family comprises these major chords (I, IV and V): G, C, and D. And these minor chords (ii, iii, and vi): Am, Bm, and Em. For a full chart of these Chord Families, click here: Chord Families.  Look at the graphics below that show common chord families that beginning guitarists use (click to enlarge).

Click here to download a PDF version of the above diagram: Chord Family Diagrams

Nashville Number System

One important note to make here is the Nashville Number System.  The Nashville Number System does away with Roman Numerals and uses regular numbers to represent chords.  This makes it easy when chording a song according to the numbers rather than to a specific key, which is sometimes useful if you know the song may be transposed in the future.

In the key of G a  1-5-6-4 progression would be G-D-Em-C.  We know that the 6 chord is minor.  If, however a minor chord is instead to be played as a major we can notate it with a capital ‘M’ besides.

3 Responses to “Chord Families”

  • [...] -/2 chord is often built off of the IV chord (see Chord Families) and can be written as IV/2 and is substituted for the V or V7 chord in any given key.  In other [...]

  • Jeril:

    Hi,
    I really liked your webpage.
    I have a doubt.
    All the keys which you showed are for Major.
    What about minor?
    i.e. what are the related chords of Cm? or put it other way, what are the chords of a song in Cm?

  • David:

    Hi Jeril,

    Thanks. Yes I am showing keys built off the major scale. As far as minor keys, the way I generally think about it is that the vi chord (the relative minor) of a major key shares the same key signature as the I of that key. In other words, G (I) and Em (vi) share the same key note signature: “one sharp”. So Em shares the same chords as G. D and Bm are the same keys, C and Am, Eb and Cm, F and Dm, etc. So they will share the same chords, because they are generally the same chord family.

    Traditionally, minor keys will be built off the root note, thus Em will be the scale: E F# G A B C D E, and we can build the chords off of that minor scale. And between the 1 and 2 will be a whole step, the 2 and 3 a half, etc. If you like it better, there is a half step between the 2 and 3 notes, and the 5 and 6 notes. Also, we would have a chord structure like this: i, iidim, III, iv, v, VI, and VII, where the lower case roman numerals are minors (the ii being diminished) and the upper case being majors.

    Thus, the key of Cm would be: Cm, Ddim, Eb, Fm, Gm, Ab, Bb.

    A big HOWEVER here, there are different types of minor keys/scales. The one I’m referring to is the natural minor scale, and generally follows this rule. But many times even the natural minor will break the rules, and convert some of the minor chords in its family to majors or sevenths.

    Let me know if this helps, or if you have any other questions.

    David

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